My two cents on some Furry themes

By Alessio "Scale" Scalerandi


What follows in a series of properly adjusted extracts from my diary, dealing with my point of view on some themes and issues strictly related to the concept of Furry (in terms of stories and artwork). Please keep in mind that all the ideas expressed here reflect only my personal point of view and are absolutely not an attempt to create a manifesto of sort, nor to represent the ideas of the furry fandom as a whole.

February the 4th 2001

This is actually a list and it's quite too late to finish it all today, I'll be back on it in the next few days and maybe, if possible, treat it as a true short essay upon those issues. That's going to be a short overview on issues which, let it be clear, are not an attempt to define "furry" in general, but rather issues which the furry cannot allow itself to ignore, essential matters which are direct consequence of a vision of anthropomorphics both "realistic" and open to new ideas. Perhaps I'm misusing the word "realistic" here as after all I'm dealing with fantasy stuff: when I write of "realistic" in this text, I rather mean "respectful of the animal's ethology and logically correct", which would be pretty long to repeat each time. :-) Many themes then are very strictly related to each other and not easily parted. In short, it's a reflection which I've attempted to break down in a scheme as I could, without any pretence to make a rule or a manifesto of it, but only to give some cues and ideas to those who are like me involved with the creative side of the fandom.

1) Perception and different senses

The first and most obvious issue to me. Humans do not have absolute priorities for what concerns senses, though it's evident that with our evolution some have gained a prominent role over the others - as for example sight is more developed than smell. This fact, along with similar others, is easily took for granted at the time of describing what a character does and how it interacts with the surrounding world, and in the case of humans that's logical - but it cannot be so for furries! In literature, the description of an item or person is at times done basing on a less common sense, like smell for example, but likely a great majority of the works written so far in history would seem senseless if red (and how??) by someone from a species which does not possess the sense of sight - essential anyway in almost all human descriptions and actions - and has radically different and much more "abstract" ideas of concepts like light/shadow, colour, visibility of an item. A bat (1) can be a good example of this: they are nearly blind and do "see" the environment by sounds, getting a perception of it much different from ours, hard (and thus interesting) to imagine and describe. Even a society of canines where smell has an essential role for all individuals in identifying places, items or people would be different from our by many details, even if not evident at first sight. Imagining in realistic and reasonable terms how this different perception is dealt with and which consequences it has could be one of the most suggestive themes, and a field fully open to individual creativity.

2) Physical appearance has an evident importance in the field of furry,

still I guess there are a few things to point out. So far, the only sort-of universally accepted definition of furry is "something which deals with anthropomorphic animals", and this has a wide range of interpretations. In general, I prefer realistic or semirealistic furries to very stylized ones, simply for IMHO the first are more apt to express realistically themes and details like those I'm describing. Each animal has after all a very specific physical form which would raise a lot of practical matters - just think of the fur alone, which is present in most cases. Then why not exploit this! Even erotic pictures playfully focused on anatomical differences between species are an all but silly creative use of a furry's physical aspect. This issue is strictly bound with the next one...

3) Technology and daily life

Possibly the most delicate issue. The concept's easy: a furry is fully showing his potential only if what it does cannot leave apart its being an animal, and would become senseless if the same thing would be done by a human. Of course this is a limit concept, an ideal, extremely hard to fulfill. But this is no excuse to reduce the concept of furry to the use of characters with only a tail and ears distinguishing them from humans, and who behave as if they wouldn't even have them. To give a furry a mind similar to the human one can be a choice functional to a story or to an author's preference, but practical matters are way too relevant, they cannot be ignored. A furry's physical characters would have endless effects on its daily life! The clothing, the chairs, the vehicles, the dishes, the food... How would a dog drink from a glass? How would be done a fox's chair not to hamper the tail? Which door would have a deer's house so that the horns do not get struck? How often would an anthropomorphic have a bath, and would it have baths at all if its main sense would be smell? Those are question which cannot be ignored if the goal's to create a furry work able to touch for its creativity, and they'd have an effect even on the simplest of drawings, making sensibly better of it.

4) Reasoning parameters

"On friday evening, when I return home from work, I'm very tired". This phrase is likely familiar to us all in some way, or at least it's easily understood by whoever reads it. But, well... this does not mean it would be the same for a furry. Such a simple phrase already exposes a lot of concepts which are all but universal, almost each word does. "Friday" being the most obvious, as it assumes a calendar equal to our, and a mean of measuring time based on the same criteria. "Evening" assumes an analogue orbit of the planet around its star, and perhaps also a non-polar latitude. "Return  home" assumes that the concept of home exists as a place where one returns often having it as a beacon, that it's always the same, and in this phrase also that it's more pleasant than the working place. "Work" assumes that there is a concept of work distinct from that of free time, that the civilization we're dealing with requires working (but we don't get to know why), and in this phrase that it's less pleasant than free time, that it takes place far from home and always in the same place, which means there is a concept of duty and principles of social interaction. "Tired" assumes that there is a concept of tiredness (Physical? Mental? We don't get to know), in the phrase also that it's consequence of working, and thus that the principle of cause and effect is understood, and it's just hinted here that it's no permanent status and it's soothed staying at home. An finally we're assuming that whoever reads the phrase communicates by words formed by letters and disposed in phrases... well, of course that's a quite extreme example. :-) But, I hope the concept is clear. There are beacon points in the human mind which must be necessarily set aside in order to render a furry's life realistically, for they can be not compatible with its most essential instincts. For way too much time TV, books and comics have palmed off animals that had no more of an animal's appearance (at the best), and besides of that reasoned exactly like humans, and when they did like animals they went almost always by the most worn commonplaces and poor knowledge of the animal. Furry means experimenting in the first place, everybody receives a natural drive at creating and developing its own ideal concept of furry, before surrendering and being content with that of somebody else. Studying and imagining different forms of thought is one of the greatest innovations introduced by the furry movement, and also the one with the greatest (and sadly less explored) potentials.

5) Evolution of instincts

A tiger's instincts are much different from those of humans. For example, it's not a social animal like the humans' ancestors were. It's a carnivore, not an omnivore. It's in general less curious and more cautious, and less hyperactive. Now, what might bring to the conclusion that tigers would evolve into a feudal/militaristic society (based on the dead worn Clans) much like the human ones of the past? The link ferocity - love for for war cannot be so simple, being instead a tiger's ferocity much more focused on the prey than on its kindred. The link majesty - feudalism is simply absurd, as a feudal society can only be built upon a strong sense of family and social aggregation and upon acceptance of hierarchies, which a tiger couldn't find at all as natural as most humans do. The example this time is very simple but meaningful: nearly all tigerish civilizations I've red about so far are strangely built on that structure. Of course reason (human reason) might suggest that such a society has its advantages, but how? Why? Which would be the consequences? Curious rituals or a fancy style or a complicated religion are not enough to make an imaginary civilization original and realistic. Beautiful maybe, but never original. And IMHO what furry needs to take its place as a movement worthy being remembered is not beauty, but originality - it needs to bring something new, in order to prove it's no silly child's play. An answer to the questions above, even brief, even questionable, would be anyway a good reason to write a story, and would be appreciated for sure by those who appreciate this kind of issues. And this is another field where furry has a huge potential mostly not exploited.

6) Level of rationality

We're thinking anthropomorphic animals and so far I assumed we're thinking of rational ones. But this can be questioned too of course, for not only, as said, a furry might have a different concept of "rationality", but it might not have one at all! Ethology has led to the discovery of many different types of intelligence, and of capabilities which have different levels of refining. A dog is usually easier to train than a cat, while a cat is more likely to survive if left alone in an hostile and unknown environment. A furry thought of as an evolved animal might have an anthropomorphic body but not a rational mind, it could be in brief a more intelligent version of the real animal, by the widest meaning of the word "intelligence". It could hunt better, communicate better, take better advantage of its vital environment, without being actually rational to the human standard. It would be anthropomorphic still - this is furry too, this is exploration of new concepts and thorough examination of known ones too.

7) Interaction between different species

So far I dealt with portraying a single species, but why focus on a single one? :-) In our reality, humans have no other species with their same rationality with which they can communicate well, while often we find drawings or stories where furries of many different species interact. But how it is possible for totally different species to interact, as often we see, in a fully transparent way as citizens of the same state, neighbours, even members of a same family, or on the other end, as citizens of enemy states? This makes no sense. It ends up as a mere display of poor comprehension of the history mechanics - looking at the history of humanity, any genocide war ended either with the fulfilment of the genocide, or with a radical change of the initial condition, and on the other side we all see that perfect integration is impossible even between groups of creatures with the same instincts. An again, there is only one solution: questioning, wondering how different species would choose to live together and why, which "dark sides" and advantages would bring living together, what consequences would it have on the cultural, religious, practical side, how would laws work, how carnivore and herbivore would get to coexist, which differences there would be from the cases we see happen among humans. And if it must be war, all implication should be examined, and much before the practical ones (which IMHO are by far the less interesting in this case) so should be the social and psychological ones. That of interaction between different furry species is one of the fields I'm most interested in, and that at which my research is aimed.

8) The interaction between furries and humans is another essential theme

It is there that furry crosses over fantasy and science fiction, but also in some cases with other genres like that of fairy tales. Actually the relation between furries and humans can be a very complex issue if well managed with an eye to the problems it raises, caring of all details - especially in settings where furries and humans are independent from each other, different species which exist independently. Much, much more attention is required in a setting where they are not independent. An example on a "classical" situation. What would happen if one of those days, with all the religions existing on Earth, the good or bad relations between the different cultures, the world's economical order, we would discover suddenly that not only there is life on other worlds, but that we have been created by an alien civilization with genetic engineering from some odd animal of their world? I think this is not too hard to imagine. The implications of such a discovery would be enough to wipe away all the certainties of humanity, to delete all religions, to  make a good part of the events in our history meaningless. and then? What would happen? Would we accept to live in peace on our creators' side, knowing we are intrinsically inferior? It would be so easy for all humans to accept the idea and go on living like nothing happened? But what could we do then, as our world order would have likely collapsed, and they'd likely have all means to keep under control an experiment which begins to give problems? But, most important of all, why when this situation applies to furries, all these problems are ignored? The "Furry Liberation" theme, meant as rebellion against the human creators, is still very popular. But how many have examined carefully the psychology of a species as it passes through a similar experience, the sudden discovery that it has been created by another one and the need to find a new way a bit more credible than a total war? Some authors have handled well this kind of social furry themes, describing in their stories credible interactions between bio-engineered furries and their creators (Bernard Doove (2) being one of the most evident examples), but the implications of the human-furry relation, whatever the origins of the two species are, still has many facets not revealed...

I'll stop here for now. Much more could be written about how many and which themes are perfectly fitting for the tools and potentials, IMHO still mostly unexplored, of the furry movement; but as I wrote this is a collection of notes and not an exhaustive essay, so for now I'll just stop here. I'm not pretending that all I've written is true and fully agreeable, in fact constructive criticism is welcome and appreciated: I hope anyway I've introduced some point of reflection for those interested in bringing their contribution to the furry movement. Nor I'm pretending I've said all new things, as most of my opinions on those issues has formed by reading messages and discussions on newsgroups and forums, or works by various authors. There is a continuous need for new sap, new ideas, experimentation, originality, and they've never been impossible things to find and develop. I could sum up all opinions expressed above by saying that the first step is always asking oneself, whatever the work, whatever the imagined situation, a simple question, but an inexorable one, which always needs an answer or at least an attempt to answer: Why?

Scale

(1) - I was thinking of the story "Graduation Day" by Phil Geusz, which I had just red:
http://transform.to/~ravenb/grad.html
(2) - Furry artist and writer; here the reference is to the Chakats race invented by him:
http://www.furry.org.au/chakat/



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